Sunday, January 25, 2009

Final Report from Park City

It has been an amazing 10 days in Park City, Utah. "We Live in Public" won best Documentary, much to my delight (loved the film), had interesting conversations with people from all over the world and became reinspired to continue growing and learning as a filmmaker. I swear, every film I watched I started thinking of ways to integrate aspects of it into my next film. So what is that next film??? So many ideas, some more serious than others, but all under wraps for the time being. I've committed myself to 6 months of retooling before launching into a new project. Not only for the sake of getting "The Red Tail" launched, but also to experiment a bit with my own vision and grow as an artist. Needing time to let the things I've learned in the last few years marinade before launching into the next endeavor.

I'm surprised that I've only run into a couple of MN folks, including Sheryl Mosely (picture of us in front of the Egyptian Theater) from the Walker. I'm going back to MN and encouraging anyone who wants to make a career of film to come to Sundance 2010 to make the connections that will help our MN film community grow. Overall, being a fly on the wall here at Sundance, I have witnessed the good, the bad, and the ugly of the film industry. Inspired by new technology for telling stories to larger audiences around the world, annoyed by the Hollywood system, and pleased to be a part of this international dialogue and experiment called documentary film. Hopefully my students from Ottawa University learned a bit too. :-)

Monday, January 19, 2009

Still Dancing in the Sun

Just wrapping up day 4 at Sundance and have been reinspired by the documentary films. Not just because they're good, but because of the other opportunities that my eyes have been opened to while here.

So far my favorite docs here were "The Reporter" (pic at the top of this blog), a story of a New York Times Columnist as he takes a couple of budding journalists with him into the Congo to speak with a warlord. This film was an exciting journey, but also a larger statement about the current climate of journalism in the U.S. What it should be . . . What it can't be . . . One thing I found particularly interesting was how this columnist was an avid reader of social science and psychological studies about what moves people to action. There is a segment in there about how a group studied how average Americans responded to four different ways of telling the same story about a program that desperately needed funding to help starving children. They found that the LEAST effective way was to show multiple children and ANY statistical data about their situation and the MOST effective way was to focus on one child and that's it. They used this phrase, "Psychic Numbing" to describe how humans shut down emotionally when faced with the suffering of more than one person and how it lowers their ability to care. Crazy stuff, but reinforces a lot of things I've learned in making fundraising videos for nonprofits.

"No Impact Man" was about a writer whose family lived for an entire year in New York City trying to make no carbon footprint. This included eventually turning off all electricity in his home, not using toilet paper, only buying local food and eating whatever was available by season. It was a very humorous piece. I especially enjoyed his wife, a Business Week reporter, who loved him enough to take the journey with him, but "hated nature". She added a wonderful element of levity and reality to his more tortured-activist character.

Beyond these films, I've attended a few panels and had a meeting with a top executive for a major Hollywood film studio (I promised him I wouldn't publicize who he was, as the conversation was for the benefit of my students at Ottawa University, not for a press opportunity). Through all of this, I have really found grounding in my place in the film industry. The realities of working for the big guys and the reasons why that will never be appealing to me. To be cliche, this is a business. If you don't have a star in your doc, narrating your doc, or promoting your doc, you'll never make it with the big studios. But I don't really want to! I've met and listened to a number of innovators in self-distribution and grassroots distribution that are reinventing the model of documentary and small-independent-film distribution. These conversations have made me so excited I can barely contain myself. The possibilities for building audiences are endless and much more my speed. I'm sure I'll write more about these ideas later, but lets just say that this Sundance has definitely shifted my views of my career and future.

Tomorrow, the students arrive and I become Teacher Mikkelson. Also very fun. This also means that I will be staying in Park City instead of Salt Lake. Hallelujah!!!! I'm so ready to stay in one place for a while instead of commuting.

Saturday, January 17, 2009

Sundancing . . .

I'm here. Sundance. Just completed my second full day of pounding the pavement, watching screenings and panels, shmoozing, getting confused for a celebrity (bunch of little girls, "Were you in that dog movie????"), getting rejected from private parties, getting put "on the list" for private parties, and bonding with non-film people.

As I'm here basically alone until the 20th (when my students arrive from Kansas), I've spent a lot of time alone sipping coffee thinking about the whole thing. Feelings are very mixed. Excited to be a part of such a huge event for the film industry, inspired by the stories that other documentary filmmakers are telling, ashamed that I'm not at a big party tonight (still haven't mastered the whole shmoozing thing with industry folks, instead I went home early to my hotel room in SLC), relieved that I'm not at a big party tonight (I'm exhausted and might not have made the way back after dancing and/or drinking), anxious about the possible meeting I may have with a big studio executive, disgusted by the pettiness of the entire Hollywood machine, and hopeful that I'll emerge from this whole thing with more contacts and wisdom.

Yesterday I got all the group tickets for me and the delegation from Ottawa Univeristy. Got a sense of the lay of the land in Park City. And then saw "Nollywood Babylon", which I highly recommend, at the Sundance Resort, a good 50-minute drive south of Park City Beautiful resort, gorgeous night with big stars in the sky, where they should be (more on that later).

Today started with a luncheon that I was given access to by a new friend who works for the MPAA (film rating board). Drew got me on "the list" for a private gathering of the Creative Coalition. Apparently this is a group of industry insiders who are trying to channel their energy to make the world a better place. The theme was on education and I ended up spending quite a bit of time with the main honoree (a middle school science teacher from Oregon and his wife) who is one of the "national teachers of the year" and travels around the US for a year talking about education. He was inspiring. There was also a former principal of an elementary school in California who was being honored and was interviewed for the group with one of her former students . . . Maria Carey's new husband. This is where it got weird, although I LOVED meeting with the "real people" including an activist from San Francisco and the main rep from the event sponsor ING (who was the primary speech writer for Colin Powell for years), I found the celebrity worship nauseating. I will admit to being star struck (thus the photos in this blog entry), but the way in which celebrities are treated in this town starts to wear on you after a while. How many times have I heard someone giddily yelling "Hey its _______!" and that person getting swooped into some building surrounded by security and photographers. It gets to the point where you discover that many people in town are here to see the celebrities, be part of the cool scene, spend obscene amounts of money, and look down on others. It makes me want to run away from the whole idea of EVER showing my work at festivals and creating a system outside of this one. Maybe not the worst idea . . . Hmmmmmmm.

I spent the rest of the day roaming the streets, primarily alone, and attending a panel.

But even with all of this disillusionment, I have still met some very interesting people (mostly outside of the industry) who will likely be great connections for the grassroots distribution of "The Red Tail". So who am I to complain?


Tonight, I just need a good night's sleep. Tomorrow I have tickets for two films that I'm really looking forward to seeing and they're screening in Salt Lake City, so I'll have a day off from Park City. Hopefully that will be just what I need to get back in the game on Monday.

Tuesday, November 18, 2008

Practicing for the Holidays

Hugh, Baby, and I have been practicing for weeks on this. What do you think?

Send your own ElfYourself eCards

Friday, November 14, 2008

My name is Dawn . . . and I'm a Facebook addict.



This morning I awoke to a deeply disturbing reality. I'm a Facebook addict. The site is currently down and I don't know what to do with myself. Yes, I know, I should work. But somehow it's become such a part of my dailiness that I feel like I can't get the day started without changing my status or seeing the status of others.

Admitting our addictions is the first step to recovery. But for now, I don't want to recover. I just want the site to work again.

Thursday, September 18, 2008

A Fresh Start



Today I put "The Red Tail" in the mail to Sundance.

I had to pause for a moment to shake my head. 3 years of passion and sacrifice. That's not to say the journey is over with "The Red Tail", but today was definately a watershed. After taking an 8 hour nap (I also am suffering from a nasty cold that drains my energy) I lay in bed contemplating, what next? Here's the list I came up with:
- Get back into Yoga
- Clean the house
- Pet the cats
- Catch up with all the friends I've put on the back burner for 3 years . . . if they'll still have me.
- Reassess life . . .

As I put the DVD into the Fed Ex envelope, it was as though my brain opened up. Possibilities for the future (little and big) stretched their legs and made themselves known again. They were all curled up in the recesses of my mind, on hold until this moment. Even as I sit here typing more emerge to say hello. It was as though my mind was protecting "The Red Tail" from these dormant dreams, knowing that if any of them took hold, the project would suffer. This may sound like I resent "The Red Tail", which is not the case. These films start as a little whisper in my head that wont allow me to sleep and demand attention. Then the hard work begins. And then one magical day (for "The Red Tail" this was June of 2007) they take on a life of their own. They suddenly become bigger than I ever imagined, serendipedous things begin occurring which makes me realize that this is no longer my little project, but a fully realized entity that has hired me as its midwife to get it through the birthing process.

So now what? I think I'll make dinner and marinade in these new possibilities and inspirations. My life is mine again.